Oh, Mary!

  • 80mins (no interval, subject to change)
play

★ OLIVIER WINNER FOR BEST NEW ENTERTAINMENT OR COMEDY PLAY
★
2 TONY AWARD WINNER
★ DRAMA LEAGUE AWARDS FOR OUTSTANDING PLAY AND OUTSTANDING
★ PULITZER PRIZE FOR DRAMA FINALIST 

OH, MARY! is performing at the Trafalgar Theatre! Following its critically acclaimed success and Olivier Award win for Best Entertainment or Comedy Play, Oh, Mary! has now extended through to 2027.  

Lolly Adefope makes her West End debut in the role of Mary from 28 September – 5 December 2026. Don’t miss out – see Jane Krakowski return to the role of Mary in London’s West End from 7 December – 16 January 2026. 

Declared “one of the best comedies in years” by The New York Times, OH, MARY! received Tony Awards for Best Leading Actor in a Play (Cole Escola) and Best Direction of a Play (Sam Pinkleton).

Book your OH, MARY! theatre tickets with LOVEtheatre today!

What is Oh, Mary! about?

Oh, Mary! is an uproariously dark comedy about a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism, and suppressed desires abound in this 80-minute one-act play that finally examines the forgotten life and dreams of Mrs. Lincoln, through the lens of an idiot.

Ticket Information

Tickets are available for performances from 3 December 2025 – 5 June 2027.

Show Information

Age recommendation: 14+ This production features water-based haze and one single gunshot.

Runtime

1 hour and 20 minutes, including an interval (subject to change).

Cast & Creatives

Lolly Adefope (Mary Todd Lincoln), Jane Krakowski (from 7 Dec, Mary Todd Lincoln), Syrus Lowe (Mary’s Husband), Vinnie Heaven (Mary’s Teacher), Lucy Frederick (Mary’s Chaperone), J.R. Ballantyne (Mary’s Husband’s Assistant),  Johan Munir (Understudy Mary’s Husband/Mary’s Teacher), Geri Allen (Understudy Mary Todd Lincoln/Mary’s Chaperone), Alex James Ellison (Understudy Mary’s Husband’s Assistant & 2nd Cover Mary’s Husband/Mary’s Teacher)

Cole Escola (Writer), Sam Pinkleton (Director), Dots (Scenic Designer), Holly Pierson (Costume Designer), Cha See (Lighting Designer), Daniel Kluger (Sound Designer), Drew Levy (Sound Designer), Leah J. Loukas (Wig Designer), Daniel Kluger (Original Music), David Dabbon (Arrangements), Stuart Burt (Casting Director), Hazel Holder (Voice & Dialect Coach), Georgie Rankcom (UK Associate Director), Zoë Hurwitz (UK Associate Scenic Designer), Debo Andrews (UK Associate Costume Designer), Tom Turner (UK Associate Lighting Designer), Christopher Reid (UK Associate Sound Designer), Kim Kasim (UK Associate Wig Designer), Caitlin Morgan (UK Associate Music Director), Chris Marcus (Props Supervisor), Jonathan Hall (Props Supervisor), Eleanor Dolan (Costume Supervisor), Dan Kay (Production Manager), Wessex Grove (Executive Producer & UK General Manager), Showtown Theatricals (US General Manager), Bonnie Royal (Marketing Director), FEAST (UK Artwork & Photography), Chips (Original Key Artwork), Raw PR (Press & Publicity), Nat McCormack (Sales & Ticketing), AKA (Marketing Management & Digital Content), SINE (Digital Media), Wyn Williams (Company Stage Manager), Stevie Haighton (Deputy Stage Manager), Iben Bering Sørenson (Assistant Stage Manager), Catherine McGuinness (Assistant Stage Manager), Shevonne Harper (Head of Wardrobe), Alise Kennedy (Deputy Head of Wardrobe), Parker Spear (Wardrobe Assistant), Will Miney (Head of Sound), BoBo Lai (Deputy Head of Sound), Nathan Brown (Tech Swing), Caz Walters (Head of Wigs, Hair & Make Up)

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Booking Period

3 Dec 2025 - 5 Jun 2027

Weekly Performances

Sunday 7:30PM
Monday 5:30PM, 7:30PM
Tuesday 7:30PM
Wednesday 2:00PM, 3:30PM, 4:00PM, 7:30PM
Thursday 5:30PM, 7:00PM, 7:30PM, 8:45PM
Friday 3:30PM, 7:30PM
Saturday 3:30PM, 7:30PM

Venue Information

Trafalgar Theatre

14 Whitehall, Charing Cross, London SW1A 2DY

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Nearest Tube/Rail Station

Charing Cross and Embankment

Buses

3, 11, 12, 24, 53, 77a, 88, 91, 139, 159 and 453.

Nearest Car Parks

Trafalgar Square Car Park, via Spring Gardens.

Reviews

Sunday Express

'Outrageously outrageous fun'

Financial Times

'Wickedly camp, outrageous and ridiculously funny'

WhatsOnStage

'It’s silly, irreverent, and utterly irresistible'

WhatsOnStage

'80-minutes of perfectly judged silliness'

Evening Standard

'A glitter bomb of outrageousness'

Evening Standard

'Oh Mary I’m glad you’ve come'

Independent

'Hysterical and captivating'

Independent

'Fizzes with entertainment'